
Thank you for the warm responses on our invitation post! The Mr and I had huge smiles on our faces while we read everyone’s super sweet comments. It made all our hard work totally worth it. And now, we’re ready to share the details. There were so many elements to our invitation suite, so I’ll try my best to lay things out as clearly as possible. But if you have any questions, feel free to send them my way!
Each part of the invitation was designed in Adobe Illustrator.
One-by-one, as I finished the designs, I would send them to Bridesmaid Hojo for clean-up (much like she did with our Save the Dates). She’d also let me know if something was drastically funky or out of place. Afterward, she pulled everything into Adobe InDesign and sent the files to me print-ready. She even added these neat little crosses on the corner of the pages to indicate where the paper should be cut, otherwise known as crop marks. ![]()
FONTS: All fonts were downloaded from dafont.com and fonts101.com.
MAIN INVITATION

Creating the main invitation was a walk in the park (compared to the rest). More time was spent on wording and deciding how much information to include. Initially, I included the locale of the ceremony and reception, which made the wording bottom heavy and created an off-centered look. This is how the tri-fold was born. We decided to leave out the specifics on the main invitation, and include this information within the tri-fold.
TRI-FOLD

Final tri-fold dimensions: 6.5 (height) x 13.5 (width).
It’s hard to offer any techniques on creating the design, because most of this resulted from trial and error in Illustrator. Basically, I grabbed any free (vectorjungle, hello!) or cheap (1 credit from iStockphoto) vectors I could get my hands on, and used the pen and direction selection tool in Illustrator to drag points around until it morphed into whatever shape I was trying to achieve. For instance, I copied the water from the top-left vector into the tri-fold cover, and used the drinks on the top-right vector as an icon on the reply card, etc. You get the picture.

All of the images above are free vectors downloaded from Vector Jungle.
The second page details the wedding events and hotel block information. We scaled back on hotel block specifics, and instead, directed them to our wedding website for detailed information.
Here’s a closer look at the map. The map, by far, is my favorite part! I loved making it. Again, I found each of those images online either from iStockphoto or Vector Jungle. To create the outline of Oahu, like many others, I copied a screen capture of a Google map into Illustrator, and traced the edges using the pen tool.

REPLY CARD

I picked a couple pictures from past vacations, and used this tutorial to apply the sepia coloring effect to each. Then, I followed this tutorial to create the block letters with the images inside.
On a side note, we’ve gotten a handful of reply cards, and one issue we’re finding is that some guests check the boxes, fill in all the blanks, but neglect to include their name. We’ve figured out most of the Jane and John Does, but it did make me rethink what we could’ve done to prevent this oversight. Maybe we could’ve made the text larger or used different wording…. eh… you live and you learn!
BELLY BAND
Onto the belly band! Are you still with me? ![]()

Making the Luggage Tags
Tying it All Together
For this portion, I’ll let the pictures do the talkin’.

CARDSTOCK AND ENVELOPES:
PRINTING
We used a print shop to digitally print, cut, and score (tri-folds only) our invitations. They were very affordable, and very busy. Each encounter with their staff felt somewhat rushed; and as a result, the quality suffered (and we ended up doing reprints). Despite these bumps in the road, it all worked out in the end!
I’m sure most of you are curious about our invitation costs (as am I). I have most of the receipts, and I will work out the cost breakdown. I was hoping to cut costs by doing these ourselves, but my gut tells me we spent more than we anticipated.
Are any of you in the same boat?
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